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When is it Time to Submit Your Manuscript?

  • schlesadv
  • Jan 24
  • 2 min read

An author usually knows it’s time to submit a manuscript not when it feels perfect—but when it meets a clear set of professional conditions.

Here’s how to tell the difference.

The moment most writers think it’s ready (but it isn’t)

  • “I’ve revised it three times”

  • “I can’t find anything else to fix”

  • “I’m tired of looking at it”

  • “Friends say they love it”

Those are emotional signals. Submission requires objective ones.


The real signs it’s time to submit

1. You’ve solved the big problems

Before submission, these must be solid:

  • The book knows what it’s about (clear premise)

  • The beginning pulls readers in

  • The middle escalates (no long flat stretches)

  • The ending resolves the central question

If you’re still fixing structure, POV, or core motivation, it’s not ready.


2. You’re no longer making major changes

You’re adjusting:

  • Sentence rhythm

  • Word choice

  • Tightening scenes

You’re not:

  • Adding or deleting chapters

  • Changing endings

  • Rewriting the opening from scratch

When changes become smaller, slower, and more subjective, you’re close.


3. Outside readers confirm the same things

Not just praise—patterned feedback:

  • Multiple readers point out the same strengths

  • Critiques are about polish, not confusion

  • No one says, “I didn’t understand why this mattered”

One confused reader = taste.Five confused readers = problem.


4. You can summarize the book confidently

You can explain:

  • What the book is

  • Who it’s for

  • Why it’s different

If you hesitate, ramble, or keep qualifying (“It’s kind of about…”), the manuscript usually isn’t done yet.


5. You’ve let it rest—and it still holds up

A key professional step:

  • Put it away for 2–6 weeks

  • Reread it cold

If you don’t feel the urge to tear it apart, that’s a strong signal.


The hardest truth

Waiting too long is as dangerous as submitting too early.

Many good books never leave the drawer because the author:

  • Keeps polishing to avoid rejection

  • Chases an imaginary “perfect”

  • Doesn’t trust the work to stand on its own

Publishing doesn’t reward perfection—it rewards clarity and confidence.


A rule many editors quietly use

“If the book is 85–90% as strong as you can make it right now, submit it.”

Anything beyond that is often solved with editorial guidance, not alone.


Publsihing Exceptional Books of all genres since 2008

 
 
 

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